Did I mention before that I put together and taught a course this past summer called "The Music of New York"? If not, I should blog about that sometime.
Right now, though, that is long over, but I've been asked to do a guest-lecture for my friend Rachel's Art of Listening class on Thursday, and so this post is just to gather in one place some of the videos and etc that I plan to use.
World Map
Drakensberg Boys' Choir
Lebo M Rainmaker
Lebo M Power of One
Ladysmith Black Mambazo
Ladysmith Black Mambazo and Paul Simon
Paul Simon Father and Daughter (from the Wild Thornberries movie soundtrack)
Johnny Clegg and Juluka Impi
The Lion Sleeps Tonight (Tokens)
Solomon Linda's Evening Birds Mbube
Pete Seeger and the Weavers
Freshly Ground I'd Like
Karen Zoid Kaapstad
Karen Zoid Small Room
The Parlotones Colourful
Bok Van Blerk De La Rey
Klopjag Nie Langer (for the students who asked about this, this is an angry post apartheid song. I couldn't find the angry apartheid-era song I played in class today online, but I'll keep looking and post it, or something similar, when I find it.)
A Music Academic's Blog. Ethnomusicology, South African Choral music, Anthropology, Gender, identity, technology, academia, travel, and general notes as I progress with my graduate studies and research projects.
Tuesday, October 06, 2009
Tuesday, September 22, 2009
Judge Satchwell
I'm busy preparing a post collecting media commentary and other related material on the ongoing Caster Semenye issue, but in the mean time, I just wanted to blog this news article because it outrages me that this is even a question. Seriously! The constitution of South Africa protects people from discrimination on the basis of sexuality, and yet at every turn someone is having to answer for their sexuality. Best of luck, Judge Satchwell. I'm proud that you're in our high-court.
Monday, August 24, 2009
OppiKoppi
Once again it's been too long since I last blogged. I sort of think I have an excuse this time, though. Since my last post, I successfully defended my dissertation proposal, taught a 6 week summer course on the "music of New York City" (that was such fun, and I really hope I have an opportunity to revise and reteach it), presented a paper at a conference in North Caroline, and another at a conference in Durban, visited my parents for several weeks, renewed my visa and began my fieldwork. I also, sadly, played the piano at my grandmother's funeral. It was really sad saying goodbye to her.
But this blog post is to be about happier things. Or funnier things, or something. As part of my fieldwork, I attended OppiKoppi from the 7 to 10 August. For those of you who don't know what OppiKoppi is, think hot, dusty farm, colonized by 15000 campers, and 4 stages hosting almost non-stop South African music for three days straight. OppiKoppi means "on the hill", or, with a little creative mishearing, "on the head". I got home very dirty, and sick with flu, but having heard more terrible, mediocre, and superb live music than I normally hear in a year, even here in NY. The highlights for me were Karen Zoid's superb show (the main reason I went in the first place), the Parlotones, who I'm now a serious fan of, after having listened with half an ear to the little bits they have on myspace up until now, a woman called Andra from Namibia, who has the most enigmatic and fascinating voice, and an intriguing group called the Arrows, who have a really cool female drummer. The festival would like to present itself as more diverse than it actually is (it's primarily white and Afrikaans), and the unavoidable clouds of cigarette smoke and drunk, high and crazy revelers who really couldn't care less about the music will probably discourage me from going again, but I'm very glad I did it at least once. The music was completely worth it, and I doubt I'll ever see so much representative South African rock in such a short space of time, again. There really are some great SA bands out there, and even if I'm way out on the periphery of the "scene", I'm falling more and more in love with the music the more of it I hear. Thank goodness for the internet, and the opportunity to hear so much of it here in steamy, summery New York.
Oh, and I almost forgot to mention that OppiKoppi was declared a national monument, and, more relevant to this blog, and I think more interesting overall, the plaques that make the declaration include Karen Zoid's lyrics "Ons Soek Rock n Roll Om Aan Vas Te Hou" (we want rock 'n roll to hold on to).
So here are a bunch of reviews of OppiKoppi
And some comments from revelers the day after.
Also some free mp3s (not, imo, the best, but fairly representative nonetheless).
And the festival's official website.
But this blog post is to be about happier things. Or funnier things, or something. As part of my fieldwork, I attended OppiKoppi from the 7 to 10 August. For those of you who don't know what OppiKoppi is, think hot, dusty farm, colonized by 15000 campers, and 4 stages hosting almost non-stop South African music for three days straight. OppiKoppi means "on the hill", or, with a little creative mishearing, "on the head". I got home very dirty, and sick with flu, but having heard more terrible, mediocre, and superb live music than I normally hear in a year, even here in NY. The highlights for me were Karen Zoid's superb show (the main reason I went in the first place), the Parlotones, who I'm now a serious fan of, after having listened with half an ear to the little bits they have on myspace up until now, a woman called Andra from Namibia, who has the most enigmatic and fascinating voice, and an intriguing group called the Arrows, who have a really cool female drummer. The festival would like to present itself as more diverse than it actually is (it's primarily white and Afrikaans), and the unavoidable clouds of cigarette smoke and drunk, high and crazy revelers who really couldn't care less about the music will probably discourage me from going again, but I'm very glad I did it at least once. The music was completely worth it, and I doubt I'll ever see so much representative South African rock in such a short space of time, again. There really are some great SA bands out there, and even if I'm way out on the periphery of the "scene", I'm falling more and more in love with the music the more of it I hear. Thank goodness for the internet, and the opportunity to hear so much of it here in steamy, summery New York.
Oh, and I almost forgot to mention that OppiKoppi was declared a national monument, and, more relevant to this blog, and I think more interesting overall, the plaques that make the declaration include Karen Zoid's lyrics "Ons Soek Rock n Roll Om Aan Vas Te Hou" (we want rock 'n roll to hold on to).So here are a bunch of reviews of OppiKoppi
And some comments from revelers the day after.
Also some free mp3s (not, imo, the best, but fairly representative nonetheless).
And the festival's official website.
Thursday, April 23, 2009
Funny business
The publicity which the Nandos ad featuring a puppet named Julius is receiving seems to have eclipsed the attention which this, much funnier ad deserves. I really love Evita Bezuidenhout. Perhaps when I finish my dissertation (and the subsequent book) on Karen Zoid, I should write a book on Evita.
Monday, April 13, 2009
Tuesday, April 07, 2009
Afrikaners and South Africanness
Elections are such rich times for research. I just wish the official transcrips of Zuma's meeting last week actually included all the juicy bits. The document up on the ANC website leaves the best bits out (though no one thought to edit for grammar when they were cleaning the rest up).
Saturday, April 04, 2009
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